SQUATTING AND CHAIRS
2 June 2013
On our last visit to Hong Kong, my wife and I wandered into an antiques shop to poke around among the offerings. The owner, an ethnic Chinese, struck up a conversation with us. After discovering that I came from the UK, she lit up and became positively garrulous. It turned out that her son was completing a Masters at Oxford University, and she described, lovingly and in great detail, a trip she had recently made to the UK to see him. It soon became clear that she regretted Hong Kong no longer being British. In short order, her misty-eyed regrets over the UK leaving turned into a rant against the “Mainlanders”, Chinese from mainland China. This is a common topic of converstation in Hong Kong, where many of its ethnically Chinese residents determinedly stress that they are different from the Mainlanders. This determination is becoming fiercer as Mainlanders come in ever larger numbers to Hong Kong to gawp, buy, and generally get in the way. For this lady, there were two things which symbolized all the differences between Her and Them. She proceeded to tick them off on her fingers with disdain: “they spit, and they squat”.
I think we can all agree that the generalized Chinese habit of spitting is really quite revolting, particularly when it is preceded by a noisy hawking of the throat and – most disgusting of all – a blowing of the nose without a handkerchief. And it is true to say that you see very little of this in Hong Kong.
Our interlocutor’s hostility to the prevalent Chinese habit of squatting is more interesting. Everywhere in China – on pavements, in malls, at bus stops, in railway stations; anywhere, really, where people stand and wait – you will see people who have dropped down onto their haunches for a rest
reading, more often than not these days, their text messages.
I have to say that I also find this habit disquieting. It seems such a … humiliating posture, is the only way I can describe it. Every time I see people squatting, I scold them mentally: “Get up, get up! You are not a slave!”
And yet … when you think about it, in a world where chairs didn’t exist, which must have been 99.9% of the time that we have been human beings, it was really quite natural for us to drop down onto our haunches when we were tired of standing and when there wasn’t a nice log or large stone to sit on. So I’ve come to the conclusion that I think the way I do about squatting because of the chair.
The chair, or rather the throne, was obviously an instrument used by Kings and Emperors, from the earliest times, to overawe their subjects. Here we have an Assyrian emperor lording it over some subject of his
And the temple of Abu Simbel in Egypt must surely be the epitome of rulers lording it over their lands while sitting on thrones
Shelley’s poem Ozymandias, which I quoted in an earlier post, comes to mind when I look at these statues.
Egypt’s dry desert air, in which buried things do not rot, allows us to contemplate today a real Egyptian throne, this one from King Tut’s tomb (“Tutankhamun, King of Upper and Lower Egypt, Lord of the forms of Re, Strong bull, Perfect of birth, He whose beneficent laws pacify the two lands, He who wears the crowns, who satisfies the gods” to you, mere mortal, and don’t you forget it …):
Even in more modern times have thrones played their part in elevating the splendour of the sitter, as in this case of the Qing emperor Kangxi
And of course Chinese emperors, along with many copy-cat Asian emperors, liked to have their subjects not just squat in front of them but to really debase themselves by kowtowing:
Which led to the famous diplomatic incident of 1793, when, Lord Macartney, King George III’s envoy to the Chinese Emperor, refused to kowtow but did accept to get down on one knee as he would have before his King:
Even more recently, thrones have played their part to prop up monarchies. The last Shah of Iran, for instance, was fond of using the Naderi throne to impart some sheen to his tawdry reign.
And of course we in the UK have our venerable King Edward’s Chair in which all English, and then British, monarchs (bar two) have been crowned since 1308 – by the way, King Edward I commissioned the chair to house the Stone of Scone after he stole it (a.k.a. war booty) from the Scots.
Those of us who have the seen the film The King’s Speech will recognize the throne, which appears at some point in the story and whose portentous humbug is mercifully taken down a peg or two by the egalitarian Australian speech therapist Lionel Logue (played by that wonderful actor Geoffrey Rush), who slouches around in it provoking a burst of monarchist anger from King George VI:
Luckily, Lionel Logue’s egalitarian comments about the chair in question was preceded a century or so ago (not more, I suspect) by a move to make the chair a product of mass consumption, which meant that I (but probably not the Chinese of my generation) have spent my whole life sitting on chairs and not squatting on the ground. I try to remember the chairs of my childhood but fail. A chair’s a chair, some of you might say, it’s a functional object. True, but even functionality for the masses can be beautiful. It took my wife to introduce me to Italian furniture design and to make me realize that a chair could be both beautiful and functional. The moment we could – in the early 1980s – we bought ourselves a set of dining chairs. My wife has scoured the internet for photos of the model of our chairs but has found none. This photo of the spaghetti chair is the closest I can find:
I designed and put together a dining room table to go with our chairs, the only thing I have ever designed in my life. All slumber in a warehouse in Vienna, awaiting our return to Europe.
Later, when we were living in New York, we came across Shaker chairs (and other furniture) during a weekend trip in upstate New York which took us to an old Shaker colony. Beautiful things.
We would have bought some reproductions if we hadn’t already had our chairs – and if they hadn’t been so expensive.
Over the years, we’ve seen some “trophy” chairs (chairs which don’t just sit quietly around a dining room table) which we wouldn’t have minded buying, if the price had been right (and if we’d had the space).
The Danish harp chair:
The Mondrian chair (this would have been more my choice than my wife’s):
Chairs designed by the Glaswegian architect, designer and artist Charles Mackintosh (again, my choice I think):
Here in China, chairs from the Ming period:
The reader will have noted by now that our tastes in chairs (indeed, all furniture) lean towards the simple and clean line …
I suppose that with consumption on the rise in China, the habit of squatting will disappear, as will – I fervently hope and pray – the habit of spitting. In the meantime, I will continue to mentally exhort my fellow Beijingers to stand up straight and proud every time I see them squatting on the ground.
Squatting woman: http://www.shunya.net/Pictures/China/Beijing/BeijingWoman.jpg
King Tut throne: http://comeseeegypt.com/images/tutthrone.jpg
English ambassador Lord Macartney before the Emperor: http://images.printsplace.co.uk/Content/Images/Products/92648/89219/Reception_of_the_Diplomatique_and_his_Suite_at_the_Court_of_Pekin__c_1793__1.jpg
Shah of Iran in front of peacock throne: http://filelibrary.myaasite.com/Content/26/26343/29921747.jpg
Geoffrey Rush sitting in King Edward’s Chair: http://v020o.popscreen.com/eGhxd3hrMTI=_o_st-edwards-chair.jpg
Spaghetti chair with sled base: http://img.archiexpo.com/images_ae/photo-g/commercial-contemporary-sled-base-stacking-chair-50648-3267845.jpg